x factor

Never Mind the Mayans, Here’s the Apocalypse

Whether or not the Apocalypse is approaching this Friday is speculation that I will leave to the Mayans. As life flashes past us, however, the approaching end of year provides a good opportunity to contemplate the changes that have happened in our world over the course of this past year and some of the PR(…)

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Twitter or Trad PR? Always Check the Bathwater for Babies

The past few years have seen huge debate in the PR industry around the radical reshaping of public relations. Why, asked the naysayers, would a Celeb employ a PR in an age where they can use Twitter to break stories, correct rumours, build their brand and offer coveted insights into their lives? DIY was the(…)

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Starting a business? Keep your eyes forward and your ears tuned to what’s real

“The media wants overnight successes (so they have someone to tear down). Ignore them.” So writes .com marketing legend Seth Godin in his piece “The Secret of the Web”. He’s totally correct. As anyone who has ever striven to realise an original idea knows, not only the media but those with the power in business(…)

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Frankie Cocozza’s Meltdown is an Unrestrained, Uncontrolled Toxic Mess- It’ll do Wonders for the X Factor, though Little for M&S

The X Factor’s token Rock n Roll hairbrush Frankie Cocozza was splashed in lurid glory all over the red tops this morning: you can’t beat a good old fashioned tabloid coke scandal. Especially when it comes courtesy of Frankie, the boy who wanted to be a mashup of Richards, Moon and Shelley. The question, however,(…)

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The Ceri Rees Story: Validating Chinese Government Policy?

The tale about Ceri Rees- an upbeat but apparently mentally challenged woman allegedly repeatedly invited to appear on the X Factor for the sole purpose of ratings-grabbing rejection- has really captured the tabloid imagination yesterday. This has the shape of something that could seriously run and run. The latest Mail piece by Richard Price, which(…)

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Red or Black: a [Bad] Publicity Factory Closed Down Too Soon?

As Simon Cowell’s ‘Red or Black?’ approaches its end, the viewing figures tell an interesting story. The nosedive from its inaugural 6.4m audience to 4.47m on Sunday was splashed gleefully all over the press and the show was proclaimed to be Cowell’s first failure (certainly not true: remember Rock Rivals? Battle of The Stars? Of(…)

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How to Survive in Media Limbo

In the wake of Cheryl Cole’s turbulent relationship with the media since her sacking from the American X Factor, here are some tips, inspired by Andy Green, that might help her through any other media difficulties that may come her way in future. Cheryl’s recent sacking is an opportunity to re-evaluate her identity and learn(…)

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The Ego Has Landed

Britain’s Got Talent has rolled around again and again the nation is gripped. Out with the old and in with the new. It’s been this way for a while. Remember, it’s not five minutes since the X Factor was all anyone could talk about, but that’s seeped away into the mists of time as BGT(…)

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The Cowell Question

The Observer is asking the big question – is Svengali in chief Simon Cowell essential to the X Factor? Two journalists debate the pros and cons, intersecting the public conversation surrounding Cowell’s migration to America. But neither address Cowell’s principal ingredient, his enormous power to influence the hype and guide the off-screen narrative. After watching(…)

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Breaking X Factor in America

This weekend the nation gathers around the TV once again, to watch the X Factor final; the uber-karaoke contest live from the Wembley’s Amphitheatrum Flavium, thumbs poised for pollice verso. Tomorrow we will marvel at the victor who, with scrupulous and unaffected dignity, will be giving thanks to the loyal viewers for allowing him or(…)

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